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Released in June 2001, Crazy/Beautiful stars Kirsten Dunst (recently acclaimed for her work on Fargo) and Jay Hernandez (the best part of Suicide Squad), and was directed by John Stockwell. Then there’s Crazy/Beautiful, which follows those rules…except when it doesn’t. The on-screen action is crisply photographed, mechanically cut, and soundtracked to up-and-coming pop-rock bands that spell out exactly how you should feel at any given moment. Conflicts are spelled out clearly, with obvious heroes and villains.
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But those movies, and countless other teen romances of the late 90s / early aughts that I passed hard on, have a simple aesthetic that foregoes nuance in favor of basic, direct storytelling. Everyone in these movies lives comfortably. I like 10 Things I Hate About You because I’m not a monster, and I like the American Pie movies because there’s real charm amidst its raunch. Don’t get me wrong teenage me was pickier than the average chick throwing a sleepover with her BFFs. Even when my mature mind wants to downplay the power of romance, that little excitable teenager within me still loves hearing (and telling) stories about love conquering all. When you’re 30, your stomach twists when you hear those words. When you’re fifteen, “I can fix him/her” might sound brave. Even if we don’t fuck it up outright, the ways we grow and change as we move into adulthood tend to work against our seemingly important relationships in youth. Yet we romanticize young love as the truest form of love, even though some of the tried and true tropes of young romantic fiction are signs of trouble in reality. They say that 95% of romantic relationships that are formed before college simply can’t go the distance.
CRAZY BEAUTIFUL MOVIE MOVIE
Nicole Oakley, A Movie That I Swear Is Worth Watching “When you find the right person, anything’s possible.” Antoine de Saint-Exupéry, Airman’s Odyssey “Love does not consist of gazing at each other, but in looking outward together in the same direction.” The world is too messed up to obsess over bad movies as much as we do isn’t it time we obsess over good ones? In his monthly column You Have To See This, Chuck Winters reaches into his pile of flawed, forgotten, or just plain fascinating gems to figure out what makes them tick and what makes them matter.